Edward Burne-Jones - The Ascension - Stained Glass Design

Pen and ink and watercolour on paper.

1881

http://www.bmag.onlinegalleries.com/index.pl?isa=Metadot::SystemApp::AntiqueSearch;op=detail;id=35165

Edward Burne-Jones - Stained Glass Design - The Last Judgement

1874-6

Wax crayon on paper.

http://www.bmag.onlinegalleries.com/index.pl?isa=Metadot::SystemApp::AntiqueSearch;op=detail;id=35556

Edward Burne-Jones - Venus Epithalamia

1871
Guache and gold paint on white paper

Mary Zambaco as Venus

http://www.victorianweb.org/painting/bj/wc/3.html

Dante Gabriel Rossetti - Regina Cordium or The Queen of Hearts

1860
Red and black chalk on paper

This wedding portrait was made soon after Rossetti's marriage to Elizabeth Eleanor "Lizzie" Siddal, in May 1860 and is an image of the final, tragic stage of that great love affair

http://www.victorianweb.org/painting/dgr/drawings/12.html

Pre-Raphaelite Cats by Susan Herbert

Thames and Hudson

Sunflower by William Morris

published by Morris & Co. England, c.1882-95

V&A

Study for the figure of Hector in the composition Cassandra, by Dante Gabriel Rossetti

pen and ink

V&A

Portrait of Henrietta Polydore, by Dante Gabriel Rossetti

pencil

V&A

Eleanor Fortescue Brickdale - The Pale Complexion of True Love,

1899

The title is taken from Shakespeare's AS You Like It, Act III, when Corin speaks of Silvius' unrequired love for Phebe as a "pageant play'd Between the pale complexion of true love And the red glow of scorn and proud disdain."

Eleanor F. Brickdale - The Uninvited Guest

1906

Showing a procession of richly-dressed people leaving a wedding ceremony, oblivious of the figure of Love, an "uninvited guest" at a marriage of rank, wealth and convenience. Note the nettles and prickles growing by the path from the church.