Monday, August 24, 2009

Edward Burne-Jones - Danae


Watercolour with bodycolour and gold paint
16 x 5"
Hammer Price with Buyer's Premium: 13,750 GBP

Sir Edward Burne-Jones was deeply interested in the mythological legend of Danaë, the daughter of Acrisius King of Argos, who was incarcerated in a tower of brass by her father who had been warned by an oracle that a son born to her would be the cause of his own death. The god Zeus visited her in the form of a shower of gold, and as a result she became the mother of Perseus. Acrisius banished Perseus, sending him upon an apparently impossible mission – to kill the Medusa. With the assistance of the goddess Athena, Perseus accomplished this task and in due course returned to the court of Acrisius, where as foretold he was the cause of his grandfather's death.

Burne-Jones had first made drawings on the theme in the 1860s, in connection with the projected illustrated edition of William Morris's The Earthly Paradise, into which was incorporated the poem 'The Doom of King Acrisius'. Later he painted several versions of the subject Danaë and the Brazen Tower, in which the figure of Danaë is seen looking through a doorway towards the tower under construction. The largest and most complete painting in this series is that in the Glasgow City Art Gallery, of 1887-8, while a smaller version is in the Ashmolean Museum, Oxford. It must also have been in the later 1880s that the artist painted the present gouache, which may be regarded as a sequel to the oil, as it shows the imprisoned Danaë receiving Zeus as her lover.

The present subject was treated by Burne-Jones as one of his illustrations on the theme of flower names in the so-called 'Flower Book', which were done at intervals between 1882 and his death in 1898. Number XVIII in that series, Golden Shower. Danaë in the Brazen Tower, takes a similar theme to the present watercolour.
CSN (Sotherby's)

http://www.sothebys.com/app/live/lot/LotDetail.jsp?live_lot_id=101&sale_number=L08132

Edward Burne-Jones - The Call of Perseus


black and white chalk over pencil
19 x 12.5"

This is a preparatory study for the figure of Perseus on the right side of the composition The Call of Perseus. This was the first subject in the cycle which was to form the Perseus series, commissioned by Arthur James Balfour in 1875 to decorate the music-room of his London house, 4 Carlton Gardens. The original scheme, with its division into painted and sculpted gesso panels and its decorative surrounds to be designed by William Morris, can be seen in three of designs from 1875-6, now in the Tate Gallery (exhibited The Age of Rossetti, Burne-Jones & Watts – Symbolism in Britain 1860-1910, Tate Gallery, London, 1997-8, nos. 93-6). Eventually the sculpted panels were abandoned and oil compositions introduced to replace them. Parts of the series were left unfinished at Burne-Jones's death. The cycle of oil paintings is now in the Stuttgart Staatsgalerie, while the preparatory gouache cartoons are in Southampton Art Gallery.

William Morris had treated the Perseus legend as 'The Doom of King Acrisius' in The Earthly Paradise, and Burne-Jones chose to follow the story as given there. Perseus was commanded to fetch the Medusa's Head, the magic power of which caused all who saw it to be turned to stone. Armed with magic weapons by the goddess Athena, and with winged sandals, a pouch into which to put the head, and the means of becoming invisible, he then visited the Graiae – sisters of the Gorgon who inhabited a land of darkness near the ends of the earth – from whom he was to gain information about the whereabouts of the sea-nymphs, from whom he gained further magic armours, and was thus prepared to find and kill the Medusa, and to cut off its head with impunity. On his way back Perseus came across Andromeda, daughter of Cepheus, King of Joppa in Ethiopia, chained to a rock as sacrifice to appease the gods who were displeased following insulting remarks made by Andromeda's mother Queen Cassiopeia.

The first composition, for which the present drawing was made, shows Perseus twice – sitting on a river bank dejectedly contemplating the impossibility of the task that he had been set. At the centre of the composition is the statuesque figure of the goddess Athena, who hands to the second figure of Perseus a magic mirror and a sword. The gouache version of the subject was painted in 1877, during the periods when Burne-Jones worked on the cycle in earnest. The present drawing, which is a beautiful example of the artist's mature draughtsmanship after the period of intensive self-training that he subjected himself to in the 1860s on the basis of study both of antique sculpture and the work of Michelangelo, must have been made at about the same time.
CSN (Sotherby's)


http://www.sothebys.com/app/live/lot/LotDetail.jsp?live_lot_id=102&sale_number=L08132

Saturday, August 22, 2009

Dante Gabriel Rossetti - Portrait of Lizzie Siddal #2


Never seen this before. It is believed to date to 1850, the year Rossetti first met Lizzie, when she was 21. He did 58 extant drawings of her between 1850 and 1861, the year she died.
Watercolour on paper
Fitzwilliam Museum
It seems to have been re-worked in 1865

Dante Gabriel Rossetti - Portrait of Lizzie Siddal #1


1854
Pencil, pen and ink on paper
Fitzwilliam Museum

Friday, August 21, 2009

Dante Gabriel Rossetti - St Cecilia


1856-7
Pen and Ink on paper
Birmingham Art Gallery

Dante Gabriel Rossetti - Maids of Elfen-mere

1854
Engraving
(illus to William Allingham's Maids of Elfen-mere)

Thursday, August 20, 2009

Elizabeth Eleanor Siddal - Lovers Listening to Music


1854
Pencil, pen and ink on paper
Ashmolean Museum
This was the year Lizzie became Rossetti's pupil

Dante Gabriel Rossetti - Jane Burden, aged 18 (detail)


1858
pen, ink and pencil and wash with white highlights
National Gallery of Ireland, Dublin
(Morris married Jane the next year)