Price Realized
£37,250
Study of Jane Morris asleep in an upholstered armchair
inscribed 'DEFENCE OF GUENEVERE' (centre, on the book in her lap)
pencil, on blue paper
12½ x 10 3/8 in. (31.7 x 26.3 cm.)
Provenance
Rossetti studio sale; Christie's, London, 12 May 1883, lot 146, where purchased by William Michael Rossetti for 3 guineas and by descent in his family to the present owner.
Literature
R. Glynn Grylls, Portraits of Rossetti, London, 1964, illustrated facing p. 160.
Surtees, 1971, vol. 1, p. 178, no. 388.
The book the sitter has been reading is William Morris's first volume of poetry, The Defence of Guenevere, published in 1858. There is a touch of intentional humour in the suggestion that she has found it so soporific. By the late 1860s, when the drawing was probably made, Rossetti was deeply in love with Jane Morris, and her husband was often the victim of his barbed humour. A group of caricatures from this period in which Rossetti openly pokes fun at him is in the British Museum (see J. A. Gere, Pre-Raphaelite Drawings in the British Museum, London, 1994, pp. 46-55, nos. 25-28, 31-32, all illustrated).
According to Virginia Surtees (loc. cit.), the present drawing was formerly inscribed by William Michael Rossetti 'By Dante G. Rossetti of Mrs Willam Morris towards 1870' (on a previous label attached to the backboard).
2 comments:
I wonder if the PRB would have gone on, ever more strongly, if it wasn't for the inappropriate love affairs. I realise the young men had different art priorities and different career expectations, but lusting after a fellow's wife could not have helped group unity.
I think of them like say the Beatles, they all had separate agendas that emerged as they got older. They certainly had complicated love lives. But fundamentally I think they were all so different.
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