Tuesday, June 14, 2011

Sympathy and Vividness in Millais's The Blind Girl

When I'm asked which one painting I would love to own.


The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854. The two girls in the foreground and the middle ground were added later in Perth in 1855. The models were Matilda Proudfoot as the blind girl and Isabella Nichol as her younger sister. Millais had first used his wife Effie but then replaced her with Matilda. The scene deals with the contemporary social problem of vagrancy, focusing on the predicament of children and the disabled.

Study for `The Blind Girl'. Verso: Study for `Peace Concluded' circa 1854, circa 1855

Drawing on paper
support: 187 x 92 mm
on paper, unique

Tate Gallery

1 comment:

maddy said...
This comment has been removed by the author.