[painting by Anna Blunden]
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"The Song of the Shirt"
by Thomas Hood (1799-1845)
[First published in Punch, or the London Charivari. 16 December 1843.]
With fingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
Plying her needle and thread —
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch
She sang the "Song of the Shirt."
"Work! work! work!
While the cock is crowing aloof! 10
And work — work — work,
Till the stars shine through the roof!
It's Oh! to be a slave
Along with the barbarous Turk,
Where woman has never a soul to save,* * [A reflection of Hood's conception of Islam.]
If this is Christian work!
"Work — work — work,
Till the brain begins to swim;
Work — work — work,
Till the eyes are heavy and dim!
Seam, and gusset, * and band, 20 * [cloth inserted to strengthen or widen a garment.]
Band, and gusset, and seam,
Till over the buttons I fall asleep,
And sew them on in a dream!
"Oh, Men, with Sisters dear!
Oh, men, with Mothers and Wives!
It is not linen you're wearing out,
But human creatures' lives!
Stitch — stitch — stitch,
In poverty, hunger and dirt, 30
Sewing at once, with a double thread,
A Shroud as well as a Shirt.
"But why do I talk of Death?
That Phantom of grisly bone,
I hardly fear its terrible shape,
It seems so like my own —
It seems so like my own,
Because of the fasts I keep;
Oh, God! that bread should be so dear
And flesh and blood so cheap! 40
"Work — work — work!
My labour never flags;
And what are its wages? A bed of straw,
A crust of bread — and rags.
That shattered roof — this naked floor —
A table — a broken chair —
And a wall so blank, my shadow I thank
For sometimes falling there!
"Work — work — work!
From weary chime to chime, 50
Work — work — work,
As prisoners work for crime!
Band, and gusset, and seam,
Seam, and gusset, and band,
Till the heart is sick, and the brain benumbed,
As well as the weary hand.
"Work — work — work,
In the dull December light,
And work — work — work,
When the weather is warm and bright — 60
While underneath the eaves
The brooding swallows cling
As if to show me their sunny backs
And twit me with the spring.
"Oh! but to breathe the breath
Of the cowslip and primrose sweet —
With the sky above my head,
And the grass beneath my feet;
For only one short hour
To feel as I used to feel, 70
Before I knew the woes of want
And the walk that costs a meal!
"Oh! but for one short hour!
A respite however brief!
No blessd leisure for Love or Hope,
But only time for Grief!
A little weeping would ease my heart,
But in their briny bed
My tears must stop, for every drop
Hinders needle and thread!" 80
With fingers weary and worn,
With eyelids heavy and red,
A woman sat in unwomanly rags,
Plying her needle and thread —
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch, —
Would that its tone could reach the Rich! —
She sang this "Song of the Shirt!"
Note: The source of this text is Inglis, R. B., et al., Adventures in English Literature (Toronto: W. J. Gage, 1952), pp. 436-37.
http://www.victorianweb.org/authors/hood/shirt.html
http://en.wikipedia.org/wiki/The_Song_of_the_Shirt
Read every word.
ReplyDeleteVery powerful.
The picture reminds me of the Oscar Wild story of the statue of the prince and the swallow.
Lucy
I know that story. This was a popular theme as the Victorian conscience began to awake and they realised how some people actually lived. I wonder if we will paint something similar for the poor devils in the sweat shops in the Far East!
ReplyDeleteI think photographers have taken over that role now.
ReplyDeleteWhen the Independent first came out, it used to have wonderful black and white photos that were both news and art. (They've gone off now!)
Lucy