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Eleanor Fortescue Brickdale - Love and his Counterfeits


Pencil and Watercolor w/scratching out, laid down on canvas

Tuesday, April 28, 2009

Edward Burne-Jones - The Mill – Girls dancing to music by a river


1870-1882
oil on canvas
Given to the V&A by Constantine Alexander Ionides, 1901

Edward Burne-Jones - The Madness of Sir Tristram


1862
The design comes from a set of thirteen stained glass panels illustrating the story of Sir Tristram, which Burne-Jones designed for Morris and Company.

Brooch - Carlo Giuliano


Carlo Giuliano was probably trained in the Castellani workshops in Rome before he accompanied Alessandro Castellani in about 1860 to London, where he established a manufactory at 13 Frith Street, Soho. He supplied a number of the leading retail jewellers in London, and in 1874 opened his own retail premises at 115 Piccadilly. His jewellery was much admired by the Pre-Raphaelite painters and their circle. He made jewels for Sir Edward Poynter (1836-1919) and Sir Edward Burne-Jones (1833-1898), and lent a jewel to Sir Lawrence Alma-Tadema (1836-1912).
V&A

Cherries on a panel - William Morris


Cherries on a panel in the V&A's Morris Room, decorated by Morris & Co., designed by Philip Webb. London, UK, 1866-68.
V&A

Saturday, April 25, 2009

The Lady of Shalott - William Holman Hunt


c. 1886-1905
Oil on canvas
74 x 57 1/2 inches
Ella Gallup Sumner and Mary Catlin Sumner Collection
Wadsworth Atheneum, Hartford, Connecticut

Ford Madox Brown - Chair


Plate on page 29, Decoration and Furniture of Town Houses by Sir Robert William Edis F.S.A. 1881. showing Morris & Co side chair by Ford Madox Brown.
He designed early Morris & Co furniture including a green painted bedroom suite for Morris’s own house in Kelmscott.

Thursday, April 23, 2009

Walter Crane - Willows whiten, aspens quiver


Watercolour
1858-59
illustration for Tennyson's "The Lady of Shalott"

Tuesday, April 21, 2009

Henry Wallis - The carving of Shakespeare's monument in Stratford


A painting by Wallis depicing Gerard Johnson carving Shakespeare's funerary monument. Ben Jonson shows Shakespeare's death mask to the sculptor.

Monday, April 20, 2009

Simeon Solomon - Zephyr


Blue crayon over pencil on paper
Signed with initials, inscribed and dated 1887

William Morris - Peacocks and Dragons


tapestry
1878
116.1 x 66.1 in. / 295 x 168 cm.

Trellis Wallpaper


Trellis was Morris’s first attempt at designing a wallpaper. Its pattern is said to have been inspired by the gardens at Red House, which were organised on a medieval plan with square flowerbeds enclosed by wattle trellises for roses. The birds were drawn by Philip Webb.